Showing posts with label youtube. Show all posts
Showing posts with label youtube. Show all posts

Thursday, February 09, 2017

Sermons now on YouTube


The church I serve has begun to put videos of the sermon up on youtube each week.  The program has raised some interesting issues.  

First, there are the aesthetic questions.  We’re using an inexpensive camera (Zoom Q4n) and trying to be as unobtrusive as possible so there is one camera angle with a bit of fisheye to the image.  The camera allows an AB or XY microphone arrangement so we tried both to see what would give us better sound.   I also quickly learned that a dark jacket works better against the background of the sanctuary.  Watching myself also has me thinking about how I move when I'm preaching, what I do with my hands, etc. etc.

The more important questions have had to do with the shaping of the sermon itself.  I preach from the lectionary.  For those unfamiliar with a lectionary, it is a list of 4 scripture readings for each Sunday of the church year in a three year cycle.  The readings include an historic passage (usually from the Old Testament), a Psalm, a gospel passage, and a reading from the letters in the New Testament.  The passages are chosen to fit together (in the eyes of those who put the lectionary together) and are intended to go through all of the major themes of the Bible over the three year cycle.  More liturgical churches read all four lections each Sunday.  Because we’re in the free church tradition, we have no such expectation.  Indeed, using the lectionary at all is a choice I make.   From the 4 readings,  I choose two passages for each Sunday and preach on the second one.  It seems important to me that we, who call ourselves Biblical Christians, read at least two passages each Sunday.  (many more conservative churches don't really read any passages from the Bible, instead just proof-texting during the sermon to prove whatever preconceptions they already hold).  Again, being in the Free Church tradition, I am not compelled to use the lectionary and indeed, there are times when I stray from it.  Still, for me, it is a discipline that forces me to preach on passages that I might not choose otherwise and to wrestle with themes that are uncomfortable for me.  Of course, I do still pick from among the four readings. 

All of that said, I try to choose passages that I think relate to the context of Cambridge Drive Community Church.  And I try to construct a sermon that speaks to the issues with which we’re living at the moment.  A sermon out there in the ether is divorced from that context and may or may not speak in the same way to someone watching in a very different setting.  While Cambridge Drive is by no means homogeneous theologically or otherwise, I can reasonably expect that someone might watch one of these sermons who comes from a very different place culturally or theologically than those sitting in the sanctuary.  And the folk in the chairs in our sanctuary know me well enough to know how to take things, when I'm joking, what struggles the passage imposes on me... To what degree do I try to generalize my sermon for those outside?  Should I avoid context specific remarks, knowing that doing so might make the sermon less effective for those in the congregation while making it more effective for some hypothetical watcher from elsewhere?  Do I downplay the relationships I have with my congregation to make a sermon more general or do I just allow the outside to overhear what is going on here?

I spoke with a friend this morning about those questions and she asked whether my sermons have changed since we began videoing them.  I responded that I'm not sure... but I am certainly being more thoughtful about what I say and how I say it.

In any case... the sermons are now up there for any to see...  Here's the link to the channel 

And here's the sermon from February 5 for an easier look...


Let me know what you think...

Tuesday, June 09, 2015

Boycott?

This week Franklin Graham has called for Christians to boycott businesses that are (along with the media and gay and lesbian organizations) cramming a tide of moral decay down our throats.  Evidently this commercial from Wells Fargo Bank was the straw that broke the camel's back for him.


I have no problem with anyone deciding not to do business anywhere for any reason they choose, including some perception that a particular business is supporting "moral decay."  I do have problems when someone identifies a specific moral understanding as "Christian," implying that anyone who does not agree is simply not "Christian."

Now it is true that I am not the same stripe of Christian as Franklin Graham and indeed, I would have some difficulty using that descriptor of him - probably as much as he would have using it of me - for a whole bunch of reasons.  I am not quite ready to write off everyone who owns that name just because I disagree with them over sometimes very important issues.   There needs to be room for disagreement and the possibility of rubbing shoulders with different opinions in order for growth to take place.  It was interesting that around the same time Graham was calling for a boycott of businesses that are supportive of LGBTQ people, prominent evangelical leader, Tony Campolo, came out as fully supportive of inclusion of LGBTQ folk in the church. 

Back to the commercial... For a number of years our family did foster care.  We saw the horrendous situations of many children.  Some were eventually freed for adoption.  Sometimes their foster families adopted them but sometimes they did not for any number of reasons.  The older children had a much more difficult time getting "forever families" as did children with any issues ranging from emotional problems to physical disabilities.  It would not be easy to find a home for child like the one in the commercial - an elementary school aged girl who was also deaf.  The implication from Graham that somehow the little girl in the commercial would be better off languishing in foster care or an institution vs. adoption by a loving lesbian couple is just ugly.

I hope Graham follows up in two ways - first that he calls for each of his constituent families to adopt a special needs child and second, that he be consistent and refuse to do business with all LGBTQ friendly businesses.  Of course, the second step might be difficult to live out.  Eliel Cruz has included a list of 30 other major companies that, like Wells Fargo, received a 100 score from the Human Rights Campaign Corporate Equality Index .  Their list of 366 companies scoring 100 happens to include 14 of the top 20, 150 total of the companies on the Fortune 500 list.  Cruz goes on to observe that finding a national company with a zero score is virtually impossible.

His list includes: Target, Starbucks, Levi’s, Microsoft, Amazon, Ford, Home Depot, Expedia, Pepsi, Procter & Gamble, Gap, Oreo, Macy’s, Old Navy, Banana Republic, General Mills, J.C. Penney, Walgreens, Nike, Ben and Jerry’s, Google, Ebay, Orbitz, Jet Blue, Mastercard, Johnson & Johnson, Goldman Sachs, Cisco, Marriott, and UBS.  Likewise, Facebook, where Graham posted his call, scored 100.  Graham could be consistent with his stated goals and boycott all of those companies on the complete list... or he could argue that he is singling out Wells Fargo because they chose to advertise their position and so were actively cramming this moral decay down our throats.

I choose to live in a world more like the one portrayed in Wells Fargo's ad than the one for which Franklin Graham yearns.  If that equates with moral decay... bring it on.   Similar accusations were thrown at the earliest followers of Jesus.

Target Starbucks Levi’s Microsoft Amazon Ford Home Depot Expedia Pepsi Procter & Gamble Gap Oreo Macy’s Old Navy Banana Republic General Mills J.C. Penney Walgreens Nike Ben and Jerry’s Google Ebay Orbitz Jet Blue Mastercard Johnson & Johnson Goldman Sachs Cisco Marriott UBS - See more at: http://elielcruz.religionnews.com/2015/06/07/franklin-graham-calls-on-christians-to-blacklist-lgbt-friendly-companies/?email=robin%40awab.org#sthash.ru2MEuwy.dpuf

Target Starbucks Levi’s Microsoft Amazon Ford Home Depot Expedia Pepsi Procter & Gamble Gap Oreo Macy’s Old Navy Banana Republic General Mills J.C. Penney Walgreens Nike Ben and Jerry’s Google Ebay Orbitz Jet Blue Mastercard Johnson & Johnson Goldman Sachs Cisco Marriott UBS - See more at: http://elielcruz.religionnews.com/2015/06/07/franklin-graham-calls-on-christians-to-blacklist-lgbt-friendly-companies/?email=robin%40awab.org#sthash.ru2MEuwy.dpuf

Thursday, March 21, 2013

Brother Sun

Yesterday I received the new Brother Sun CD, Some Part of the Truth, and had a chance to listen to most of it on the way to work this morning.  It is another wonderful recording by Pat Wictor, Greg Greenway, and Joe Jencks!  Brother Sun brings together all of the threads of folk music in a seamless whole - the worker movement, social justice concerns, the confessional troubadour, Americana, a dream of a better world...  If folk music is truly the music of the people, this trio takes their role very seriously as they sing the tears, laughter, and hopes of the people as private as the human heart and as big as a country struggling to remember its identity.

Here they are performing In the Name of Love from the new CD.  Enjoy!





Saturday, February 09, 2013

Lowden Guitars

Yeah, I mention Lowdens just about every time I talk about guitars.  I'm a true fan.  They're not for everyone and there are lots of other wonderful guitars out there but they work for me and fit both my hands and my ears.

I came across this interesting little video where George talks about his design and what makes it different from the typical "American" style guitar.  For anyone interested in acoustic guitars, it is an interesting watch.


Friday, January 04, 2013

best CD's of 2012

Well... I have to say that is a misleading title.  For a musician, I am remarkably uninformed as to what is going on in the music world.  Outside of my very small circle, I just don't hear all that much and so I clearly miss out on some wonderful music that would stretch my ears and my imagination and enrich my life.

Luckily, I have some friends who are much more in touch than I am.  Fernando Gros is one such person.  He has a delightful blog that shares his connections with the larger culture in ways that are foreign to me.  Recently he posted his 12 best albums of 2012 and I watched his video links and a few more from some of the artists.  While there were a few of his choices that didn't do much for me and a few that I could listen to or not, there were also a few that really caught my ear.  I'll share those here.  You can go to Fernando's blog to see the rest of his choices.  And thanks Fernando for opening my ears to these folk!

His number #12, Traces by Karine Polwart is a CD I should have known as an acoustic musician but did not.  Indeed, it is my first listen to Polwart.  Everything an acoustic performance needs to be...



I've always loved African music and have found the folk making music in the African diaspora to be very inspiring.  Fernando's #11, Janka Nabay & the Bubu Gang – En Yah Sah,  is another new one to me which I found infectious.



Grimes is about as far outside of my normally listening habits as can be... and I really don't understand anything about the video other than it is interesting to watch.  Still, I really enjoyed her music.  Her recent CD, Visions, is Fernando's #9.



#6 is one CD with which I was familiar and like a lot,  David Byrne and St. Vincent, Love This Giant.  They are both unusual artists with quirky views of the world.  I don't know how they got together, but it works.



and finally, I'll share his #5, Bat for Lashes' CD The Haunted Man.  A bit closer to my normal listening than Grimes, but still different enough to be a wonderful surprise.


Tuesday, May 08, 2012

A Big Lie

Our economy requires unemployment.  It requires that there be poor folk without jobs to keep the costs down for low skilled jobs.  If you sat any Republican down and asked whether they really want 0% unemployment, if they were being honest, they'd say, "Absolutely not.  If we had 0% unemployment who would work at McDonalds or Walmart?  What would happen to prices?  What would happen if some sector decided to go on strike and there was nobody available to replace them?  We need people without jobs who are looking for work to drive wages down."    For that reason, I find comments like the one in the video below to be particularly offensive.  Even if it was true, it would be impossible... get real, where would we put all of the golf courses?   The reality is that Romney does not want you or me to get rich and he certainly doesn't want everyone to get rich. 

Saturday, April 28, 2012

4 versions of Somebody...

It's been a while since I've posted a music video... so here are four versions of the same song, - Somebody that I Used to Know.  I like the song

first the original by Goyte...



a second fun version by Walk Off the Earth (The Key of Awesome does a fun parody of this...)



and more a serious version by Pentatonix



and finally, a fairly straight cover by Ingrid Michaelson



So which one do you like best?

Monday, March 19, 2012

Ragamuffin

It's been a while since I've posted a music video...

This is Jason Kessler playing a song written by Michael Hedges  called Ragamuffin which appeared on Hedges' 1984  ground breaking CD, Aerial Boundaries.  Kessler is playing a  Lowden F size 12 string guitar built of Honduran Rosewood and Adirondack spruce and is accompanied by percussionist Josh Dekaney and dancer Pallavi Gupta.  just beautiful...

Tuesday, February 21, 2012

Radical Inclusion

I have never been to Burning Man... but it is sort of on my bucket list.  There is something about the event that calls to me.  I'm not sure that I'd enjoy a full week of desert, dust, and weirdness, but I would guess that in order to really experience it, you need to experience the entire event.  And that has kept me from going. 

If you don't know about Burning Man, it is a crazy bohemian hippie gathering in the middle of the desert that takes place in late August to early September.  There are lots of interesting and bizarre people, art, music, and a unique ethic based on 10 principles - 
1. radical inclusion
2. gifting
3. decomodification
4. radical self reliance
5. radical self expression
6. communal effort 
7. civic responsibility 
8. leaving no trace
9. participation
10. immediacy

As you can imagine that makes for a very interesting social experiment.  And from what I understand, it has worked for the most part... until this year.  Last year was a very good year with great weather and good press.  It also sold out.  This year the tickets went on sale and the immediate requests were 4 times the capacity of the event.  Radical inclusion bit the dust.  As the organizers said, "Radical inclusion does not mean we can all fit in the same place at the same time."  Still, if there is one thing radical inclusion cannot mean it is, "sorry, you can't come." 

All of this has me thinking about church... if there is a principle we should be embodying it is radical inclusion yet, we rarely do.

for a wonderful taste of Burning Man, here is part of the problem, a great video that went viral this year.

Monday, December 12, 2011

Christmas Carols #1

Of all of the sub genres of church music, I find Christmas carols the most interesting for a whole bunch of reasons.

First, the gospel is all about contextualization, but many theologians and many churches try to ignore that.  They'll talk about trying to recapture the shape, style, and government of the Early Church, forgetting that there never was one early church and neglecting that the cultural differences would make it unworkable even if there had been.  Incarnation is all about context.  Jesus was born a boy in a very specific time and place with a very specific cultural setting, politics, and economics.  His ministry becomes universal only because it is so contextual.  The same continues to be true now.  We see this most clearly in Christmas music.

Europeans moved the holiday to the middle of winter both to coincide with the shortest and bleakest time of the year and with pagan holidays that happened at the same time.  One of my favorite carols is In the Bleak Midwinter.  Now, how much more European can you get than that?  "Snow had fallen, snow on snow..."  "Water like a stone..."  Jesus was born in a place where the weather just doesn't look that way.  Still, the image works both for the setting of the singers, northern Europe and North America,  and as metaphor.   Here's a video of me playing this song in Santa Barbara at the Cambridge Drive Concerts Songs on a Midwinter's Night (sorry for the lighting and for the clam in the first verse) -  another place where the weather doesn't fit at all, but the metaphor still works.



My favorite Christmas carol is Some Children See Him, one of the Alfred Burt carols with lyrics by Wihla Hutson from 1951.  I blogged about the way this song reflects contextualism back in '06.  Here are the lyrics.
Some children see Him lily white,the baby Jesus born this night.Some children see Him lily white,with tresses soft and fair.Some children see Him bronzed and brown,The Lord of heav'n to earth come down.Some children see Him bronzed and brown,with dark and heavy hair. 
Some children see Him almond-eyed,this Savior whom we kneel beside.some children see Him almond-eyed,with skin of yellow hue.Some children see Him dark as they,sweet Mary's Son to whom we pray.Some children see him dark as they,and, ah! they love Him, too!
The children in each different placewill see the baby Jesus' facelike theirs, but bright with heavenly grace,and filled with holy light.O lay aside each earthly thingand with thy heart as offering,come worship now the infant King.'Tis love that's born tonight!
Those words reflect my understanding of incarnation more deeply than any song I can think of... and in that reflect the gospel in the deepest of ways.  More than once, it has brought me to tears.  Some Children has been recorded by a number of people but my favorite recording by far is by Stacy Sullivan.  She changes the rhythm a bit and moves the melody some but I don't think does any violence to the song and makes it a bit more accessible for most folk.  Unfortunately I can't find a video of her but you can purchase the MP3 at Amazon here.  It is a gorgeous rendition of the song.

In a few days, I'll be back with some thoughts about Christmas music and gender.

Saturday, November 26, 2011

beat boxes

I love the NBC show, The Sing Off.  It's got it all - great music, compassionate knowledgeable judges, and did I say, great music?  I have a few favs... and two of them are finalists -  Pentatonix and Urban Method.  I also liked Delilah who were eliminated earlier.

If you haven't watched the show, go to Hulu and watch it.  It really is a great show and I highly, highly recommend it.

I am routing for Pentatonix...  They get a huge sound with just 5 voices arranged very, very well.  The rhythm section is HUGE and just plain solid.  The beat box guy - Kevin Olusola - also plays piano, cello, and sax and is evidently quite accomplished on each.  I googled him the other day and found this incredible video of him playing cello and beat boxing... just amazing.



and here's Pentatonix

Thursday, November 10, 2011

putting it out there

Last week we had a wonderful show in the Cambridge Drive Concert series with Terry Holder.  At some point during the day, I was talking with Jerry, Terry's husband and guitar player.  He wondered out loud why it was that guys in the audience assume that every female performer "is available to them" and told stories about guys who tried to pick Terry up.  One fun story involved a guy who had purchased 3 CD's from her merchandise table and then learned that Jerry was her husband.  He returned the three CD's and walked away without even asking for his money back.

I was thinking about the discussion this morning as I was walking to work and listening to some music.  I love "If I Were a Boy" by Beyonce and, despite the controversy over the rights to the song, I think she just kills that song.  Every time I hear it, I believe her.  I feel the pain at being taken for granted by some guy and her yearning for "a better man,"  and I figured it out.  A great performance involves putting it all out there.

As a culture, we're just immature about emotions.  When a performer opens his or her soul and puts their emotions out there, it feels intimate.  Indeed, it is intimate... but that doesn't mean we really have an intimate relationship with the performer.  All those guys to whom Jerry was referring were just unable to experience emotional intimacy of any kind without assuming it came with sex.  They really need to be "better men"  who can experience powerful emotions without making assumptions.

So, here's my question... how do we raise a crop of better men who really do understand the emotions of other people?  Who are emotionally mature, caring, and giving, and who understand where the lines are?

Here's a live performance of "If I Were a Boy..."

Thursday, November 03, 2011

just proves what's necessary



She's playing a really cheap and lousy guitar in an open tuning and clearly doesn't know the "correct" way to play a guitar... but what wonderful music!  Just goes to prove that the most important part of making music is in the heart and soul of the player... technique is secondary (although she clearly has great technique even if it is "wrong") and the quality of the instrument is secondary (even though with a better guitar she would have sounded that much better).

So... the lesson for me is, "play, play, play... and then play some more.  just make music and don't worry about the other things."

Friday, October 21, 2011

a smile

for you cat lovers - you'll identify... (just ask my wife about Espresso and her computer)

for you cat haters - you'll find more reason...

here's Simon's cat

Wednesday, September 07, 2011

Sing Off

Sing Off is one of my guilty pleasures... so much great music!

here's the preview for this year's show...

Friday, August 19, 2011

30 days



What are you going to do for the next 30 days?

Saturday, August 06, 2011

a great song

Last night we presented Jill Knight at the Cambridge Drive Concert Series. Jackie Morris opened for Jill. It was a wonderful, wonderful show. Jill is a great songwriter, a great guitar player, and an engaging performer (if you ever have the opportunity to see her perform, don;'t miss it!).

Jill's most recent CD, Rare October is stripped down to just voice and guitar. It is perfectly recorded and perfectly performed. The songs are strong enough to stand with nothing other than a voice and a guitar, albeit a wonderful, soulful voice and stellar guitar work. That CD is in heavy rotation for me right now.

Last night, Jill performed many of the songs from that CD in a slightly different format. She brought along monster bass player, Bobby Santa Cruz. There were numerous jokes through the evening that guitar players can throw out some clams but there is no room for mistakes for a bass player. Well, Bobby provided this wonderful bottom end that grooved and added just enough and never too much. The songs still shown through. Jill even invited me to sit in on a few songs. I was thrilled to be able to play with her and enjoyed those few moments of thinking about adding a little icing to those great songs.

Bottom line of all of this is that a great song doesn't need whiz bang production, 14 highly paid studio musicians, or lasers and lights. All it needs is a competent, heartfelt performance.

Here's a video of "Carolina" with Bobby Santa Cruz on bass and me trying to add a little icing.

Sunday, May 29, 2011

let's play

I love this video...



We have a wonderful nursery school at Cambridge Drive Community Church called the Goleta Valley Nursery School where the core of the philosophy is that children learn through play. Every aspect of the curriculum is based on that premise and it is a wonderful, child centered place to be.

I believe they are absolutely on target. But... but... play as a way of being in the world, of finding joy, of experiencing the gifts of God is something we should never abandon. I think that is, in part, what Jesus was talking about when he said that in order to fully enter the kingdom of God we must become like children (Mark 10:15)- experiencing joy and wonder in each moment.

Watch the video again... wouldn't it be wonderful to approach life with the same joy and playfulness as the child (and the otter for that matter)?

Monday, May 02, 2011

it's been a while

since I've posted a music video...

I don't have any idea what this song is about and the video is a little... unusual... but I really like the song. Bizness by tUnE-yArDs

Saturday, March 26, 2011

dancing about architecture

Steve Martin reportedly once said that "talking about music is like dancing about architecture." I understand that. Music can be described and analyzed. There are rules and formulas that can be written down and passed on. There are techniques that can and must be learned in order to make music. Still, when it is all it should be, music becomes a spiritual experience that truly is beyond words... indeed, if what we say with music could be said with words, we'd do that. But we can't because there are things that must be communicated that are beyond words. So we make music. And music - vibration/harmony/melody/rhythm - is built into the very fabric of creation.

Zoe Keating is a cellist who makes sublime music using a cello and looping technology. This video is a short interview where she talks about her music and expands upon the ideas implicit in the Martin quote.