AIG, taxes, and religious bodies

Hey I'm a Baptist. I believe in absolute freedom of religion. No government has any right sticking its nose in any matter having to do with religion. A few weeks ago I wrote a post about a movement of folk trying to get the LDS church in trouble for supporting prop 8 and that their tax exemption should be reneged.

I said "no" to this in spite of being staunchly opposed to their stand on the presenting issue.

I also made a statement in that post that puzzled a few people... Common wisdom is that non-profits don't pay taxes because of the benefit they provide to the community and the argument follows that when a non-profit breaks its covenant with the community, its tax exempt status is a benefit that can be removed. I said, "Religious groups are not taxed because the government has no say over them. The power to tax is the power to control and the state has no power when it comes to religion."

This power was demonstrated in the AIG mess when congress proposed a new tax law to tax the bonuses received by AIG workers at 90%. The power to tax was clearly the power to control. And that is why religious bodies are not taxed. If they could be taxed, then the government can control what they do and say. Indeed, that is precisely what those who wanted to remove the tax exempt status from the LDS were/are trying to do, control the actions of a religious organization through the power of the government.

wasting time on youtube

well... maybe not. This is astounding

concrete

My friend Tom teases me about my cityboy background and celebrates that I have learned to appreciate places without concrete or traffic noise. Two weeks ago I had a meeting in one of the sections of LA where you can actually walk around, sort of like a northeast city. It reminded me why I like the city. Someday I hope I can live in a walking city again...

In the meantime I'm reminded of Ray Bakke's statement that the fall took place in a garden... and the kingdom of God comes in a city.

amplifying acoustics

guitars that is...

I love acoustic guitars. It is amazing what a good luthier can do with a few thin plates of wood, some metal strings, and a few other assorted parts. And it amazes me how much variation there can be in what is a pretty mature art. It is clear that dimensions can only vary so much or you either end up with an instrument that self destructs or one that sounds like a table. The materials chosen also make a significant difference in the end product. You can hear the difference between mahogany and Indian rosewood or even Indian rosewood and Madagascar rosewood. Scale length makes a difference. the size and shape of the body makes a difference. Every little detail is important. It is no wonder that the best guitars are not inexpensive.

Oh... but playing a good one... it is such an intimate experience to wrap the instrument with your arms and coax music from it.

Then comes the problem of playing live. Acoustic guitars are not very loud instruments. Sitting in the living room with friends, they're perfect. Playing on a stage in front of 100 or 1000, they just don't cut it. You need to amplify them. And amplifying an acoustic guitar is always a series of trade-offs between accuracy, feedback rejection, expense, the degree to which the source requires changes in technique, and complexity. You can't get cheap, accurate, with a low feedback threshold. So, the irony is that you spend thousands of dollars for a wonderful acoustic guitar and then have to spend a thousand more to get a good signal to send to an amplifier or PA system.

Every player will come to his or her own conclusion regarding which trade-offs to make. For me, it is involves two different technologies of pickups. The first is a Sunrise. This pickup represents the same technology that is used in most electric guitar pickups - a magnet wound with wires that senses the movement of the string in a magnetic field. It is an old technology that is fraught with difficulties when used with acoustic guitars, not the least of which is that it tends to sound like an electric guitar rather than an acoustic. In my opinion, the Sunrise is the best magnetic pickup available for an acoustic guitar. It has a touch of the electric sound but only a touch. It also has a huge bass response and is the least likely pickup to feed back of anything out there. It is heavy, expensive, hard to get, and perhaps a bit ugly. By itself, I think it sounds OK. Paired with another source that makes up for its shortcomings, the Sunrise is amazing.

Which brings us to the second source in my guitars, a piezo soundboard transducer affixed to the inside of the top of the guitar. This type of pickup can give a fairly accurate representation of the sound of an instrument. It works when a piezo crystal vibrates and generates an electrical current that is analogous to th vibrations. The downside is that they are extremely sensitive to placement (the photo is probably not the best placement), feedback relatively easily, and pick up every sound including your shirt sleeve sliding across the top of the guitar. My Lowden has a McIntyre in it and my Silver Creek will have a jjb like the photo in it.

Together the two pickups go to a pre-amplifier and a buffer that refines the sounds even more and I end up with a sound that isn't the same as the guitar acoustically but it is a HUGE sound that I find really pleasing. The irony is that it is a very expensive way to amplify an acoustic guitar and requires a huge amount of technology to sound... old fashioned. In the case of the Silver Creek, the pickups cost about the same as the guitar and when you add in the pre-amps and effects, the electronics are worth way more than the instrument where the sound begins.

more Andy McKee

this time playing a Lowden F model...



so which guitar do you like better? This one or the Greenfield in the post just before this one?

cool

growing up in the flower power days, materialism was a definite no no... except when you were talking about guitars. Then, you could own as many really cool guitars as, well, you could. More recently, materialism became trendy and owning huge numbers of guitars or a small number of very expensive guitars has even become an investment strategy. I try to avoid that temptation and my bank account impedes the reality... but I still find myself suffering from G.A.S. - guitar acquisition syndrome. My favorite guitars are build by George Lowden & company. I think George's design was a key to the movement of new fingerstyle guitar styles. Indeed, one of my fingerstyle playing friends Michael Millham, once remarked that Lowden was the guitar company owned by the largest number of his fingerstyle playing friends. I love my Lowden and can't imagine ever not owning & playing one.

Occassionally, though, I get GAS for someone else's guitars... and one builder who guitars inspire me from a distance - I've never played one - is Michael Greenfield, an individual builder who works in Canada. His guitars are gorgeous sounding... and really expensive.

Here is a video of Andy McKee playing his brand new Greenfield... I can only imagine how this guitar will sound as it opens up...

a whale of a time

Santa Barbara is an inredible place to live for a lot of reasons. One is the closeness of the wild things of nature. A short hike into the mountains and you're in mountain lion country. A 22 mile ride in a boat and you can visit the least visited national pak - the Channel Islands National Park. A drive to Carpinteria and you can see the seals give birth. A drive up the coast and you can see elephant seals mating. Stand on the beach and watch the dolphins swim by...

The coastline runs east-west rather than north-south and there are a series of islands - the Channel Islands about 22 miles off the coast. Two currents, one from the north and one from the south meet in the channel. All of this adds up to wonderful feeding grounds for whales and because they migrate north-south, the curve in the coast here brings them very close to land.

This year, one or perhaps two adolescent whales found themselves very close to land... in the harbor as close as 30 feet from shore. They're feeding right at the mouth of the harbor and wandering in towards the marina. Here's a little video of one of them. Amazing!

beauty in small places

All too often I am too busy to pay attention to the small beauty all around me. Driving to Goleta, the hills are deep green now sprinkled with yellow mustard flowers and blue lupine. It is easy to drive past without being conscious of the beauty.

In our home, it is even more easy to miss the beauty. In December, I found a local artist named Kevin Loughran who makes the most wonderful, functional, pieces of art for a home. He is a gentle spirit who really does make the world a more beautiful place. In his words

In nonferrous metals I build long term solutions for living graciously in a plastic world. I have been forming, etching and patinating metals into art for the past 25 years. I like to take the mundane in everyday objects and pay respect to their marvelous functions. That is why I presently work in switch plates, doorbells, and dimmers; to honor the beauty of the small things in our lives.

I feel very good about the quality and sensibility of my work as an expression of my obsession to create beauty.

We're slowly replacing switch plates in our home with his work... as reminder of the beauty that is all around us if we only look.

This one is by our entryway


Thanks Kevin for bringing a little more beauty into our daily lives!

more on Iraq

My good friend Tom pointed me to an interview on NPR - Fresh Air - with Donovan Campbell. Campbell was a platoon leader in Iraq and put his experience there into a book called Joker One.

If Ricks' book talks about the big picture in Iraq, Campbell's talks about the personal. His memoir is at the top of my to read list. The little I heard in the interview when added to what I've learned from Fiasco has told me one thing. The cost of the mistakes made by both the civilian leadership and the military leadership in Iraq must never be allowed to be made again.

Military

Anyone who has read much of my stuff knows that I am a pacifist. And I have that stand for religious reasons. There is more to it though. I grew up during the Viet Nam era and an anti-military stance was easy to come by. While family members of my father's generation all served - one uncle was in a German prisoner of war camp in WWII and my father served in Korea - we did not have a strong military tradition in the family. There is not a significant military presence in Pittsburgh, PA, where I grew up. I had few friends who served after Viet Nam and not a lot who served there. Those who did, never spoke of their experiences. Since moving to California, where the military has a significant presence, I have had more friends and church members with military backgrounds but even playing with guys stationed at Vandenberg Air force Base didn't give me much real information. All of that adds up to a serious ignorance about the way the military works. Any impressions I had were just that... and had various degrees of accuracy.

I heard Tom Ricks speak the other day at UCSB and was fascinated by what he had to say about Iraq. So I've started to work through his first book on Iraq Fiasco and when I'm finished with it, I will read The Gamble. I'm fascinated at his portrayal of the way the military works... even though I don't have any sense of how accurate it is. The philosophical and organizational principles really are significant to understand.

I was particularly taken by his discussion of "strategy," which he says is a technical term in the military, not to be confused with tactics. Strategy, he says, emerges from the answers to 4 straightforward questions and the clarity with which those questions are answered is foundational to everything that comes afterward.
1. Who are we in this situation?
2. What are we ultimately trying to do in this conflict?
3. How will we do it?
4. What resources will we use to accomplish these goals?

Good questions... that apply to just about any area of life but critical in situations where the decisions made can have lethal consequences.

I highly recommend the books. And I'd love to hear back from folk with a military background on the accuracy of his descriptions.

The Words

I have a good friend who is on a spiritual quest. She hungers for something... for faith... for connections. She has lots of friends from various faith traditions and she has shared her hunger with them all. Most have shared their stories in response. She especially struggles with dogma and with any top down kinds of directives.

We were talking one day and she told me that she was very attracted to Judaism but she just can't seem to leave out Jesus. I understand that feeling. Now, I know that I am a product of my culture and my background and all of that colors what I see and how I see it... but I just can't ignore Jesus either. His words, his actions, the movement he began, a view of God's kindom more inclusive and expansive than any other I'm aware of... I just can't ignore Jesus.
At the same time, there are lots of pieces that make me want to ignore those people who call themselves his followers. Since the very beginning we have overlayed Jesus with our interpretations, our dreams, our fears, and our theologies. Some, I think, have clearly represented him well. At other times, we have so skewed his message as to make it unrecognizable. Once, on a plane trip, a young woman with whom I was talking said, "we don't worship the same Jesus." She was correct, I think. Our presuppositions had so colored what we see, that we were not seeing the same thing at all.



Now, I know it is not possible to remove all of those lenses. But it is a good thing to work towards. One step is a new project by Lee Cantelon called The Words where he is publishing a collection of the words of Jesus. Again, I know there are translational issues and I know that scholars debate which statements Jesus actually made and which he didn't but the task is still a worthy and helpful one.

The book has already been translated into a variety of languages, has inspired a number of artists including Rickie Lee Jones and Abiodun Oyewole of the Last Poets, and is available as a free download in a bunch of languages both as text and as an audio book. You can purchase the printed copy at Amazon.

I'm really looking forward to it. I just can't ignore Jesus.

two quotes about the work... first from Rickie Lee Jones

”The words of Jesus remain a ‘soft dream' that falls night by night, until the soul is ignited with courage. Our hearts, that did not sing until now, are filled with hope that did not yet dare to dream of freedom from poverty and oppression. With faith, what one feels is the Truth, and the truth, while difficult to teach, is immense. It is easy to learn. We have Christ among us, speaking through each of us, if we choose to listen. We have Christ and though there are few words, they are enough, they are enough to last two thousand years. In spite of so much distortion of His will and meaning, they reverberate clearly in the good work of so many Christians who may not even know they are ‘followers.'”

and from Lee Cantelon

The words of Jesus resound with a challenge to a world burdened by greed, self-righteous religion, and pride. The Jesus I discovered spoke a message of humility, one that did not emphasize a vengeful God, but one of love. His words were filled with mercy, compassion, and forgiveness. A new kind of kingdom was being introduced in his words, accessible to all; men, women, Jews, Gentiles, slaves, kings, free, lost, illuminated, and illiterate. All that was required was that we become “like children” and hold fast to this kind message that offers the stern command, “open your hearts!” How this has become so much dogma, who can understand? And understanding, to recognize his invitation to our right to become “children of God.” Is no great feat.